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After reading musicology at the Philosophical Faculty, Charles University in Prague, Vlastislav Matousek (born 8. 11. 1948 in Trutnov) went on to study composition and took a post-graduate course in music theory at the Music Faculty of Academy of Performing Arts in Prague where he achieved also Ph.D. degree for his thesis Kinetics in Ethnic Music. There he has been lecturing in ethnomusicology since 1991. Since 1999 also at Institut of Musicology of the Philosophical Faculty, Charles University in Prague. He is closely involved in the music of non-European cultures, organology and music kinetics. He was awarded a grant from the Japan Foundation to study Japanese traditional music in Tokyo in 1996, in particular shakuhachi (CD´s Callighraphy,Taki Ochi). He works as a music journalist for Czech Radio in Prague. He writes eccentric works, frequently incorporating the use of unusual instruments. He performs as a shakuhachi soloist and he presents his own works written for ethnic instruments, often in combination with electronics (CD Shapes of Silence). He performs on the tabla and other exotic instruments with the group Relaxace (CDs Dhjana, Kadael, Indian Inspiration and Czech Koan); he performs Czech Gothic and Renaissance music with the ensemble Schola Specialis, (with the chamber choir Duodena Cantitans he recorded CDs Krystof Harant, Musica Temporis Rudolphi II, Mirabile Mysterium, Felix Austriae Domus, Byrd/Monteverdi: Masses for 4 voices). He has worked with a number of alternative rock groups as a writer, singer and bassguitarist (Mama Bubo, Before Your Era, now Yamabu).
An electro-acoustic composition for Tibetan bowls, pipes, percussion, "Singing" fountain of Belvedere in Prague and sound objects, 66:32, 1995
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Движется на чудо-технике по сей день
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1999-2019
